391 Royalty-Free Audio Tracks for "In Line"

Sci-fi communications 1recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi buzz and bleeprecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi communications 2recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi deep atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi communicationsrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi mechanical atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi alarmrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi deep atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Tc-electronic novasystem hiss. This is awesome device, but at one moment it was started produce this hiss. First part is line input and second part is guitar (tc it's call "drive") input. In the each part i switch on for a few seconds "mod" pedal on the processor.

An approximately 2 minute in length beat for backgrounds. Listen with headphones or nice speakers otherwise ambiance and bass line do not pick up. Produced with cakewalk sonar. Contains samples of "harp" by pryght one, "rain" by marec, and "cinematic boom norm" by herbert boland.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line and difference tones.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.

A nu rock sounding riff, palm muted recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

A nu rock sounding riff, openly strummed recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

Here's a bongo track i performed and recorded that was used in an ethnic style tribal track. You can drop this on the timeline at 120 bpm. It's an 8th note triplet feel in 4/4 time and it will line right up. Plenty of good stuff to pull from here. Free for all to use as you please. Enjoy!.

Couple of minutes of soccer/crowd noise at a feyenoord game, the kuip stadium in rotterdam, netherlands. This was mixed for t. V. Broadcast and quickly recorded to the line in of my macbook. Neumann km 140 mics for crowd noise, sennheiser 416p's at the pitch, into a lawo mc66/2 desk. Stereo, dolby pro logic ii encoded.

MIDI of "Ut Queant Laxis", an 8th century hymn best known for being the basis for Ut-Re-Mi-Fa-Sol-La, later modified to the familiar Do-Re-Mi-Fa-Sol-La-Ti. Each line begins with a note that moves up the scale from Do to La (Ti not being used in music of that period).

A field recording of a dawn break with birds singing in a city environment, with ocasional cars passing by and the hum of the city still present. Recorded with a ms stereo setup (akg blue line 91/94) into a tascam dr70d recorder. 6. 00 am march 2015.

A recording of a manual typewriter. The author is inserting paper, typing a paragraph, and then removing the paper. Sound of paper being inserted into the typewriter using the paper platen winder. Then the sound of typing of about 50 words. A small bell sound is heard at the end of each line, then the sound of the platen being pushed back to start the next line, and the platen moving the paper up one line. The sample ends with the sound of the paper being wound through the typewriter and removed. I have tried to avoid clipping of each typed letter. There is a lot of percussive multi pitch sound in each typed letter. There is a mechanical escapement that provides a clicking sound as the platen is moved back for the next line. This sample was recorded direct to the hard drive of this samsung nc10 netbook using audacity set to 44. 1khz and 16 bit in mono. A dynamic microphone was used on a small desk stand about 1 foot (30cm) from the typewriter, the stand being on a different table to the one on which the typewriter was used. The microphone was a fairly cheap make (hitachi hmp606) and was pre-amplified using a maycom mictube preamplifier built into the xlr connector, connected to the mic in port of the samsung nc10 netbook. The mic boost was reduced to zero, and the gain of the maycom preamp was at its lowest setting.

Alert (!) or surprise sound effect directly inspired by the popular sound from metal gear solid. Performed live not quantized or synchronized to any particular tempo. The notes used in this performance should be the same notes used in the original game's sound (unconfirmed) detuned a few cents upward. Tools used:- fl studio by image line- dexed by digital suburban- edison by image line. If you'd like me to create any sounds for your next project, don't hesitate to ask. I'd be happy to help. As this sound isn't exactly a completely original creation or composition. I've set the license to cc0.

Algorithmic modular music program ver. 2 (man2v2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. Admit, the spring reverb makes a nice job!. 00 rem -------------- man2_2019 --------------00 rem ------------------ v2 -----------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)00 rem line 08 in ver. 103 rnd frq lfo_1 (run speed)00 rem [less secitive for cv change]04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)00 rem [added some offset with attenuverter]06 trg short env (vco_2): rnd pitch @ eoc (vco_2)00 rem [long env in ver. 1 - with long env i seldom reach eoc]07 if (lfo_2 = high) then goto 01 [= reset]00 rem line 02 in ver. 108 [07] trg short env (vco_3): rnd pitch @ eoc (vco_3)00 rem line 07 in ver. 100 rem [long env in ver. 1 - with long env i seldom reach eoc]10 goto 01.

In the forest real shooting with a rifle caliber 6. 5-55 the microphones are placed about 15 meter away because of the sound level they can handle. Equipment usedrecorder zoom f4microphones line audio two cm3 and one om1(for ambience)audacity + wavelab.

This effect was created for a radio tax spot to support the line "here's all the directions. . . 1,000 pages of them!" (sfx: drops 1,000 pages on desk)it makes a distinct whoomp sound when they land. Recorded on nt2-a rode mic in a production studio.

A towel being whipped as if to clear out dust. Various takes. Recorded in a studio setting with a shotgun mic on a h1 zoom. Sample made for a personal project, free to use. You don't even have to tell me what for. But it's appreciated if you drop me a line. Have fun!.

This is a old school country sounding bass line i played and looped at 80 bpm! if you wish to credit me then credit me as blaink saint but that is completely optional. Shoot me a dm of what you made of it im super interested in knowing where my sounds end up.

What is how blockchain works?the blockchain periodically stores transaction information in batches, called blocks. These blocks, a continuous-order set of blocks, a fingerprint, a hash – a unique mathematical code – and are interconnected, a set of a continuous line of blocks – a chain (of the chronological “chain”).

I was just about to start recording a new radio show when the phone rang. I thought it was going to be a scammer but it was just a friend. Got back in here after eating lunch and found this still in the goldwave window, so i decided to upload it.

Error beep from the colorino talking color identifier and light probe, a pocket sized 2-in-1 unit, which is a color identifier/light detector for the blind and colorblind. This happens when the detector is not flush with the object you're trying to read the color from, so it lets in too much external light. Recorded from line-in on my desktop.

Recorded in june 2016 on a new york city subway train stopping at times square station on the queens-bound 7 local train line. Recorded with a zoom h2n in 4-channel mode - this is the xy recording only (msg me if you want the raw ms recording!), without a windshield. File has not been modified.

Audio of an electrified commuter rail line in downtown charlotte, north carolina as is approaches the crossing. You can hear the horn in the distance, then the bells of the crossing gates as the begin to close, and then the train horns again before it passes by the crossing into the station.

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 5 is a dark bass line, created using a bespoke sub bass instrument created in Ableton's Sampler.

MIDI of "Ut Queant Laxis", an 8th century hymn best known for being the basis for Ut-Re-Mi-Fa-Sol-La, later modified to the familiar Do-Re-Mi-Fa-Sol-La-Ti. Each line begins with a note that moves up the scale from Do to La (Ti not being used in music of that period).

This is a request for scrapthefur, but anyone may use these if you like. I said each line three times. I do this just in case the first one wasn't ideal. "no" may've been said six times, but that was because scrapthefur needed two separate nos. Hope it sounds okay.

I recorded this on the london underground for an animated project that i'm working on. We boarded the train at bethnal green and travelled several stops until liverpool street. There are a few station announcements along the way. The train itself was moderately busy, but there was not much in the way of background chatter.

A driving 303 loop i programmed in caustic 2. 1 for a caustic track. Will fit nice with a breakbeat. Slight ping-pong delay, foldback distortion and flanger. If you would like this loop without ping-pong delay then please message me and i will upload as soon as. Caustic 2. 1, best music creation app on android!.

Standing in line at the checkout, neighborhood supermarket, chicago, 7/17/16 at 6:25pm. Occasional voices, clatter of shopping carts and baskets being stacked, sounds of groceries being loaded onto the conveyor, beeping of registers. Recorded with two countryman emw lavaliers in a head-mounted binaural arrangement, into a tascam dr-40 recorder. Processed to remove excessive bass rumble and compensate for eq curve of lavaliers.

This is a recording i made with my h4n while on exercise at meaford training centre, with an artillery unit. It features 5 mortars firing multiple rounds. In the back ground, you can hear fire orders being issued over the radio, as well as individual detachment commanders giving orders to their gunners.

A synth line i made for the 127 search ;) i made this one on reason. Used three thor modules, effected each one differently. Gave two a delay of different time panned opposite, and the other a reverb. This is in the key of g. 楽しみます.

The sound of someone playing "maiden's prayer" on the piano. Recorded via a line out on an electric keyboard. Used in a production of three sisters. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

Moog grandmother, plucky sequence in am, 90bpm. You could make loops out of it, as the whole sequence was digitally clocked. Some interesting play with noise, filter, pulse width and the internal spring reverb of the synthesizer. Recorded through an ssl superanalogue preamplifier at line level, uad-2 apollo 8 adc. No eq, no compression. Mono file, 24 bit 48 khz.

My drum loops created in pro tools from the winston's "amen brother" break. These are just tests, although they do loop quite nice if you line them up right. . . . . Respect to those who want to resurrect old school jungle, hit me up if you wanna collab!big-up to thej_unglistsa_gainstp_erpetratorm_ovement.

Recorded from line-in from a 13-year-old boombox tuned to the bottom of the am dial and moved around near the computer and printer. You can hear the base computer noise, then at 00:17 you start to hear the radio get closer to the printer which is off but plugged in.

Sound of footsteps (hiking boots) in an artificial stone tunnel about 4 to 5 metres in diameter in brezzo di bedero (northern italy). The tunnel is part of the structures of the 'cadorna' defence line, dating back to wwi, and leads to an artillery emplacement in a cave. Sound of footsteps and crunching gravel under the soles, with a slight echo and reverberation from the cave environment. Perfect for creating eerie, natural and industrial backgrounds and first-person vr experiences. Recorded with a zoom h1n held in hand while walking and pointed towards the feet.

Recorded on a ipad, which seems to pick up background noise from the subway system. Sorry about that. I am on the train, it stops, i get out and hear an announcement on the other side. This station has two tracks, one running in either direction. Generally, when you hear an announcement, you hear mandarin first (woman's voice), cantonese next (slightly different woman's voice), then english in a man's voice. This is line 1 in downtown shenzhen. Interestingly, the next train going in the same direction of the one i got off, arrives within the time of this recording, about 1. 5 minutes later.

A drum loop with bass and a bass line separate. Made in fl studio. If you want the bass preset for sytrus email me paulstitz316@gmail. Com enjoy!!. This loop is free to use, as long as long as you check me out on soundcloud. You don't have to, but its the most you could do :). Https://soundcloud. Com/paul-stitz.

Inside a s-bahn train on the line s41 in berlin at night. It's a weekend at 2am, and the party crowd is going home or to the next club. People singing and talking, train sounds and an announcement "nächste station: sonnenallee" (next station: sonnenallee). Recorded with an olympus ls-14.

These are the ambient sounds of a sailboat underway. You hear the sounds of wind-filled sails, the tugs on line, and boat parts movement as the boat is moving through the water under a steady wind. You can hear when the boat changes direction from being close hauled to more down wind. The zoom h4n digital recorder was used in collecting this sound. Enjoy.

Recorded in june 2016 on a new york city subway train approaching the last stop (34th street–hudson yards) on the 7 train line. Mta thank you announcement at the station and for all passengers to alight. Recorded with a zoom h2n in 4-channel mode - this is the xy recording only (msg me if you want the raw ms recording!), without a windshield. File has not been modified.

This sound would be suited for background atmosphere in a nightmare movie sequence, or to blast out of your windows to the neighborhood on halloween. It was created in audacity by using a piece the audio track from the end of the movie "my cousin vinny". It is the line marisa tomei says as she and vinny are driving back to n. Y. (oh my god, what a f'ing nightmare). It was then noise-reduced, pitch and tempo adjusted, reversed, and paulstretched.